In an installation of three autonomous works, the visual ritual of Vallys

Nomidou is structured by vibrating plasticity and sharpness at the same time.

It is a delicate but dynamic process of fusion

of fragmented elements, where both the intensity of intersections and the

the need for healing. Repeated rhythmic connections work towards

perception of creating wholeness in a game of conversation between the

'materiality' and its 'shadow'.

With a surreal and playful mood, the small-scale painting of

explores the complex interplay between artistic and artistic expression.

production and personal experience. Far beyond the conventions of

of representation, his narrative goes beyond the simple visual description of

of the images he creates, as various correlations are formed between the images he creates and the

individual elements/realities of each visual ensemble.

The silent water - throwing water at the moon is a collaborative polyptych

A multifaceted work with materials from B&T Composites by.

, Stelios Karas (sculptural constructions), Haris Kontosfyris (installation in space),Vassilis Sedza (micro-sculpture design), which functions as a metaphor for the installation of the space.

and metonymy of truth. It is an allegory/burial of K(k)osmosis

with poetic references structured in the context of a fairy tale.

[comments by Thalia Stephanidou]